She wrote, “I know I shouldn’t be, but I’m a little scared. The day after Donald Trump was elected, one of my former students, from that same class, sent me a text message.
The repercussions of immigration did not feel as concrete to me as they did to the more than eleven million unauthorized immigrants across the country. I cannot point to a map and say, “That is the country I came from” our ancestry lies in the cotton fields of Mississippi and in the swamps of southern Florida. I did not come from a family of immigrants but from a group of people who had been brought to this country involuntarily, centuries ago. But, as they often did, my students presented a compelling case that broadened the scope of the discussion.īefore my time in the classroom, immigration was rarely at the forefront of my consciousness. I was expecting that the class would relate the novel to the current climate of violence toward black bodies. While Ellison wrote of invisibility as a black man caught in the discord of early-twentieth-century racism, this particular group of students read the idea of invisibility not as a metaphor but as a necessity, a way of insuring one’s protection. The school was situated inside the beltway of Prince George’s County, and my classroom was filled with almost exclusively black and brown students, many of them undocumented immigrants. This complicated kind of progress seemed to me to accurately reflect how, for the marginalized in America, choices have never been clear or easy. In New York, he is pulled out of poverty and given a prominent position in a communist-inspired “Brotherhood” only to realize that these brothers are using him as a political pawn. He receives a scholarship to college from a group of white men in his town after engaging in a blindfolded boxing match with other black boys, to the delight of the white spectators. The unnamed black protagonist of the novel, set between the South in the nineteen-twenties and Harlem in the nineteen-thirties, wrestles with the cognitive dissonance of opportunity served up alongside indignity. “I am invisible, understand, simply because people refuse to see me,” Ellison writes in the prologue. Looking for guidance, I picked up Ralph Ellison’s 1952 novel, “Invisible Man,” which had been a fixture of the “next to read” pile on my bookshelf for years. Before then, I had envisioned my classroom as a place for my students to escape the world’s harsher realities, but Martin’s death made the dream of such escapism seem impossible and irrelevant. In 2012, I was a high-school English teacher in Prince George’s County, Maryland, when Trayvon Martin, a boy who looked like so many of my students, was killed in the suburbs of Florida.
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